CHOOSE THE RACK THAT FITS THE SHOW

Start with the role the rack needs to play. The final hardware, I/O, computer path, and accessories can be adapted after the first conversation.

PLAYBACK / REDUNDANCY

Performance Racks

For playback-heavy shows that need a reliable technical backbone.

  • Playback control
  • Timecode / sync
  • Redundant computer options

ARTIST PROCESSING

Vocal Racks

For artists who need consistent vocal processing and clean stage routing.

  • Vocal processing
  • Tour-friendly patching
  • Compact or drawer variants

ALL-IN-ONE SYSTEM

Band-in-a-Box

For acts that want the live technical backbone centralized in one rack.

  • Playback + control
  • Routing and I/O
  • Crew-friendly handoff

LISTENING / DISTRIBUTION

Monitoring Racks

For stage or side-stage monitoring workflows that need clean distribution.

  • Analog or Dante paths
  • Fast deployment
  • Clear I/O layout

RF / RECEIVERS

Mic Receiver Racks

For wireless receiver systems that need organized power, antenna, and outputs.

  • Receiver-focused layout
  • Patchable outputs
  • Serviceable wiring

SIMPLE / SPECIFIC

Utility & One-Line Racks

For one focused task, performer, device chain, or compact technical problem.

  • 2U-style options
  • Single-purpose builds
  • Minimal and clear

FEATURED DIRECTION

CHOOSE YOUR STARTING POINT

Start with the level of help you need: a clean enclosure, a proven CLR configuration, or a fully custom system built around your show.

Talk through your setup

Empty Racks

Best when your team already knows the gear and needs a compact professional chassis.

Pre-designed Racks

Best for common playback, control, monitoring, vocal, and I/O workflows.

Custom Racks

Best for unique show requirements, touring constraints, existing gear, or future expansion.

COMPUTER CONFIGURATION MATRIX

CHOOSE THE COMPUTER PATH

Playback and performance racks can be simple or redundant. We recommend the path after reviewing the show, software, interface choice, operator workflow, and budget.

Path Typical configuration Best when
Redundant embedded 2 × embedded Mac mini The show needs a compact, self-contained redundant playback core with minimal laptop handling.
Hybrid redundant 1 × embedded Mac mini + 1 × laptop You want one computer protected inside the rack while keeping a familiar laptop as the second system.
Laptop redundant 2 × laptops The production already owns or travels with laptops and wants the rack to organize interfaces, power, switching, and I/O.
Single embedded 1 × embedded Mac mini The setup should be compact, clean, and repeatable without full redundancy.
Single laptop 1 × laptop The simplest path for smaller shows, programming rigs, rehearsals, or artists who prefer bringing their own computer.

FAQ

QUICK ANSWERS BEFORE WE TALK

No. Playback is one major use case, but the rack platform can support vocal processing, MIDI/control, monitoring, mic receivers, studio portability, or fully custom show systems.
Yes. Many builds are designed around equipment an artist or production already owns. The rack design can organize, protect, patch, and document that gear properly.
Not always. Redundancy is important for higher-risk playback shows, but smaller rigs may be better served by a simpler single-computer design.
Yes. Clear labeling, patching logic, and handoff information are part of making the rack useful under show conditions.
Yes. Transport, setup time, serviceability, and crew handoff are part of the design conversation from the beginning.
Yes. If the show does not fit a standard category, CLR can design a rack around the actual workflow, technical requirements, and transport reality.

NEXT STEP

NOT SURE WHICH RACK FITS?

Send us the show requirements, existing gear, and the problem you are trying to solve. We will recommend the right starting point.

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